Biografi in Oberhausen-competition
La Viande around the world
Autumn Man to the Netherlands
Biografi at Tempo
Selberg Auguststén retrospective in Tampere
Bokomotiv at the Göteborg festival
La'viande at the Pole
Johanna Rubin honored in Uppsala
Meat goes Uppsala
La viande goes North America
Biografi premiere in Locarno
Bogland in Melbourne
La viande + L'amour opening internationally in Edinburgh
Your Mind back in the cinemas and out in the world
Poet on Tour
Autumn Man is a Winner
New film by Jonas Selberg Augustsén in Göteborg-competition
The Mill and the Cross World Premiere in Sundance
Autumn Man in Clermont-Ferrand Competition
Autumn Man winner in Melbourne
Freedom Calf and The Tree Lover in Finland
Autumn Man winner in Melbourne
Autumn Man in Nordic Competition
Leopard Competition
Autumn Man in Nordic Competition
Poet of the Elephant House in the Czech Republic
Autumn Man Down Under
Winner Autumn Man
The Autumn Man to open at the Göteborg International Film Festival
Bokomotiv is travelling
Your Mind is Bigger Than all the Supermarkets in the World
Scrap at BUFF
Radio Documentary about Tonino Guerra
Two Films at The Göteborg Festival
Tree Lover in Latin America
The Tale of an Artist's Brush winner in Florence
Rampling, York and Hauer
The Tree Lover released nationwide
Discussion at Zita in Stockholm
The Calf in Uppsala
The Tree Lover in Lübeck
The Tree Lover in Argentina
World Premier for La favola in Italy
Next stop Croatia for the Process
Bokomotiv in Polish project
Bokomotiv this Summer
Freedom Calf in Hamburg
On location in Istanbul
Now to Norway
Bokomotiv in Cannes
Esther´s Book on Good Friday
The Process in Swedish competition
The Process in Finland
The Process in Serbia
The Tree Lover, World Premiere in Göteborg
The Process in Tromsö
The Church Prize
Anna goes Barcelona
The Process in compeitition
The Widerberg Award
Freedom Calf on DVD
Lena on singel DVD


Under produktion

In Swedish


Sweden, 2013
18 min, HDCam, Colour
Director: Clara Bodèn

I hear a man speaking on the radio. He is a hospital chaplain. I meet him and a deserted hospital in Norhtern Sweden.


Sweden, 2012
21 min, DCP, Colour
Director: Magnus Bärtås

Biografi is a new way to tell a story inside a documentary frame. The narration is divided into two parts, one is performing the story, the other is the medium for the text.


La viande + L'amour
Sweden, 2012
1 min 16 sec, HD-CAM, Colour
Director: Johanna Rubin

An animated love story in meat.


Sweden, 2011
15’/17’, 35 mm/HDCam, Colour
Director, screenplay: Jonas Selberg Augustsén

The film can be seen as a tragedy of something that is lost or as a tribute to the modern myth


The Poet of the Elephant House
Sweden 2010
26 min, HD Cam, Colour, Dolby
Director: Anna Juhlin

A personal story about the life of a grandpa, told by his grandchild. With stills from past and present, filmed meetings, voices and tones.


The Autumn Man
Sweden 2010, 29 min.
Director: Jonas Selberg Augustsén

Two men, two different reactions. A story on the boundary between Sweden and Finland where people speak Mienkäli.


Your Mind is Bigger
Than All the Supermarkets in the World

Sweden, Sri Lanka, 2010
73 min, HD, colour, 1:1.85
Director: Cecilia Neant Falk

In 2004 the Swedish director Cecilia Neant Falk went to the Nilambe Buddhist Meditation Centre in Sri Lanka. During the retreat she met meditation teacher Upul Nishanta Gamage. A 73 minutes silent journey


Sweden, 2009
9 min, colour
Director: Clara Bodén

‘‘Fighting isn’t gonna solve anything” those are common rules we’ve all heard since kindergarden. But who’s said that fighting is about solving anything.


in the land of the cranes/
a film about Chongming Island

Sweden, China 2008, 28 min, documentary.
Director: Lisa Hagstrand

A visit to the largest sedimentary island in the world, located in the opening of the Yangtze River north of Shanghai, provides a glimpse of a rich habitat.


La favola del pennello/
The Tale of an Artist´s Brush

Sweden, Italy 2008, 28 min, HD Cam SR, colour
Director: Andreas Kassel

Tonino Guerra tell us a fairy tale about artist´s brushes. When the poet wants to throw away some of the brushes the reaction from the painter is harsh. You can not just throw it away as waste. They have been my friends, explains the painter.


The Tree Lover
Sweden 2008, 76/58 min, 1:1.76 Colour, Stereo
Director: Jonas Selberg Augustsen

In our time of urban rootlessness, the tree is a symbol of something grounded, a place for us to return.


Sweden 2007, 6 min, DigiBeta
Director: Anna Juhlin

The film is a self portrait of a 17 year old girl. ”When I try to summarize myself, try to describe my world, the most significant things are the escapism, the dreams and the struggle to get away from the performance anxiety and the insomnia.


Sweden 2006, 6 min, 35 mm, b/w, 1.1:85
Director: Mathew Moore

An emotional, magical depiction of the frailty of existence, the transience of our lives and the speed at which the juggernaut of time races by. A journey through ourselves, a path laid out before our very eyes on a cold, desolate, wintry beach.


Sweden 2005, 18 min, 35 mm, colour, 1.1:85
Director: Mårten Barkvall

Two men roll a barrel through a desolate and hostile landscape. With them they carry communication equipment with which they attempt to make contact with other civilisations, another life. But the reception is poor and thus they seek higher ground.

  Freedom Calf
Sweden 2005, 10 min, 35 mm, colour
Director: Jonas Selberg Augustsén

"Within every Swede lies a cow...and shit" is a laconic expression coined during the making of this film. It is quite true that the Swedish love their cows. It is something holy and natural that talks to us all serving also as a reminder of the fact that most of today's Swedes are rarely more than two generations removed from country folk.


I Think of Myself - and the Left
Sweden 2005, 57 min, Digibeta, colour
Director: Maria Rydbrink Raud

The "Tentproject" toured Sweden in 1977. The "united left" dramatised the history of the Swedish Labour Movement in a legendary theatre production. We follow one of those participants, Marianne Lindberg De Geer, in her daily work as an artist and in meetings with those old friends from the summer of 1977. What became of the political devotion the "Tentproject" represented?